Teach & case
Help a near-peer reason through the idea — when you explain it, you understand it best — then read the real decision it comes from.
Help Willoughby pick readable colours
In a minute you'll be the teacher. Get ready to teach Willoughby: contrast is a LUMINANCE ratio, not how different two colours look by hue.
Contrast comes from the difference in lightness (luminance), not in hue. Yellow on white is low-contrast even though the colours differ.
What you've shown you can teach
A case · you decide
Willoughby and the poster nobody could read
Willoughby — a student designer whose vivid poster looked striking on screen but was unreadable when printed and posted
Willoughby's event poster uses bright blue text on a bright orange background — the two colours look totally different, so Willoughby assumed the text would pop. On the wall, people squint and can't read it. If the hues are so different, why is it so hard to read?
Readability is driven by CONTRAST, and contrast is a LUMINANCE ratio — how light vs. dark two colours are — not how far apart their hues are. A saturated blue and a saturated orange can sit at nearly the SAME luminance, so the text and background are equally "bright" and blur together.
WCAG puts a number on it: the contrast ratio between text and background should be at least 4.5:1 for normal text. That ratio is computed from luminance, so "these look really different" can still fail — and a plain dark-on-light pairing can easily pass.
Willoughby insists the blue-on-orange is fine "because the colours are completely different." Is different-hue enough for readable contrast?
To fix it, Willoughby considers swapping the orange for an even MORE different hue (say, green). Best move?
Willoughby's habit now is to check the contrast RATIO, not the vibe: pick the palette for brand and mood, then make sure text and background are far enough apart in luminance to clear WCAG. "They look really different" is a feeling; the ratio is the fact.
When two ideas meet: 2 cases with two people
A case · you decide
Onyx and Willoughby: grey that nobody can read
Onyx & Willoughby — a designer who knows colours change beside each other, and a friend who measures contrast
Onyx sets a poster's small print in a soft grey, #999999, on white. It looks elegant on the big monitor.
Willoughby measures the contrast: about 2.8 to 1.
A slightly darker grey, #767676, measures about 4.5 to 1.
What should Onyx do with the small print?
Onyx sees how colours behave. Willoughby checks that everyone can read them.
A case · you decide
Ursula and Yardley: what goes together
Ursula & Yardley — a designer who sets emphasis, and a friend who groups things by closeness
Ursula's event flyer has a title, a date, a place and a price, all evenly spaced down the page. Readers keep missing the date.
Yardley suggests the date and place belong together, since both answer "when and where?"
What is the clearest fix?
Ursula chose what matters. Yardley showed what belongs together.